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In this issue Carl Fisher hands publicity for the Indianapolis Motor Speedway to Steve Hannagan. By 1919, attendance at the Indianapolis 500 was flagging, and Carl Fisher needed a new publicity campaign to reinvigorate the Track. The existing campaign focused on cars, engines, and the technology of racing, and it was not drumming up enough new ticket sales. In order to get a different perspective on the race, he asked for Russell Seeds best press agent. Steve was assigned to work with Pop Myers, the Indianapolis Motor Speedway General Manager. Seeds knew that Steve would file stories that sports editors would run in their papers. Seeds also recognized that with Steve’s nose for news, he might even get front page news coverage about the Track.

Hannagan knew from his experience that editors and readers preferred stories about people and not things. So he changed the focus of the Speedway stories from cars to drivers and their heroics. The public craved heroes like race drivers who seemingly did the impossible. According to the notes of Edward Ross, the conduit for Steve’s stories were the” Nearly three hundred sports writers [who] covered the race each year. Very quickly, Steve got to know all of them.”i

Steve began to feed the public stories about drivers and their fears, successes, failures, hopes, families, and superstitions. Many race fans were especially interested in stories about the driver’s superstitions which they believed protected them during the race. . Superstitions often involved rituals, such as wearing the same socks, cap, pants, or shirt for each race. Other rituals could involve how the driver got into the car or who they talked with immediately before the start of the rates. Besides rituals, some drivers believed that certain actions would jinx their car or their chance of winning. A jinx could happen if a woman touched the car, the color of the car, or its number. For years, drivers at the 500 refused to drive green cars; it was not until the British invasion in the mid-1960s that this prejudice ended.

Because these stories piqued the interest of readers as they turned to his byline for the latest news from the Track. It was not long before his editors were including his columns beyond the borders of Indiana but throughout the mid-west, and into the east.

Here is a small sample from several newspapers that indicate Steve’s growing reputation at the Speedway.

  • From the Miami Daily News: “Spring may officially begin on March 21, but it is not an accepted fact until the day comes that marks the arrival of Steve Hannagan, publicity director for the 500-mile race at the Indianapolis Motor Speedway.”ii
  • From the Detroit Evening News: … [Hannagan is] the press agent has been greatly responsible for the success of the Indianapolis event each year.”iii
  • Indianapolis Star: “Steve Hannagan, who out-groundhogs all groundhogs as a sign of spring, arrived in Indianapolis over the week-end with a new enthusiasm to add to the weather and the 500-mile race at the Indianapolis Motor Speedway [on] May 30.”iv
  • Florida Star: Some editors, such as the Florida Star’s, printed Steve’s stories without editing. For example, the Star printed this headline and his press release without a change: “HANNAGAN GIVES “LOW-DOWN ON 500 –AUTO CLASSIC.”v

Press Clippings, Conflict, and Bigger Job

When the press clippings began to arrive by the bushel at Pop Myers Speedway Office, Steve expected the Pop Myers to show his appreciation. One day, after a particularly successful set of press releases, Steve ran over to Pop Myers Office and harangued old Pop that the Speedway did not appreciate Steve’s efforts. During the middle of Steve’s diatribe, Carl Fisher stepped into Myers office, and Myers told Steve to get out. Fisher wanted to know why Steve was ranting at Myers. Steve told Fisher, whom he did not know, what he had done for the Track and how well his campaign was working. Fisher’s response was classic Carl, “From now on [you are] publicity boss around here.”vi

The press clippings about the Speedway included a side benefit to Steve. His name was front and center as the by-line on each clipping. The clippings were a very neat way of building his reputation throughout Indiana, the mid-west, and nationally.

Dealing with Recalcitrant Editors

Steve was a wily publicist, who could use guile to get what he wanted from editors who refused to publish his press releases. For example, the managing editor of the Detroit Times, Joe Mulcahy, did not like press agents. He ignored their press releases, which meant that he ignored Steve’s releases.vii Steve responded by flooding all the Detroit papers except the Times with colorful stories about the Speedway. After several weeks Steve visited Mulcahy and turned a little game of praise to damn the editor. Steve’s gambit worked as follows, as reported by Edward Ross:

“I hope you don’t mind, said Steve, his mint-blue eyes all innocence, if I tell you I think your lay-out on page one was swell. Two days later he called Mulcahy on the phone: Just wanted to tell you that was a grand yarn you broke today. A few days later he popped his head inside Mulcahy’s office to grin: Good looking paper you have today!”viii

After the last exchange between Steve and Mulcahy, he snarled at Steve:

“Say, you’ve been handling me a lot of crap about what a great paper we’re putting out, but if you’re so crazy about this sheet, how does it happen that you’re breaking all your race stuff in the other papers?”ix

The next day the Times ran a three-quarter page story on the Speedway. Steve’s gambit worked. Steve and Mulcahy became lasting friends because he appreciated Steve’s dance to get the Times to report on the Speedway. From then forward, Mulcahy regularly published whatever Steve sent him.

Most News Editors printed Steve’s stories not to scratch the back of a friend. They published Steve because his stories were good copy that caught eye of the reader

Steve Becomes Synonymous with the Speedway

After several years as the Speedway’s publicist, Steve made the track a household word on Memorial Day, the day of the Indianapolis 500. For example, The Detroit Evening News said that Hannagan was the “the press agent who has been greatly responsible of the success of the Indianapolis event each year”.x

Although Carl Fisher invented the idea of the Speedway, many in the news business agreed that it was Steve who made the track and the 500 mile race famous and something more than an event held in the back waters of a prairie town in the mid-west.

Steve hawked the race as an event that lived up to Carl Fisher’s assertion that the track would be a test bed for designing more reliable and safer automobiles for the consumer market. In reality, a few years after the first 500 mile race, major auto manufacturers abandoned the idea of testing cars at the race. They opened their own test tracks because they needed a facility where they could continuously test their product. Consumers expected on-going improvement to their autos and a race run only once a year did not provide this kind of information.

The Hannagan Way’ Starts to Takes Shape

The ‘Hannagan Way’ (HW) describes Steve’s successful methods for generating publicity for his campaigns. Steve used his experience as a reporter, city editor, and Speedway publicist to frame HW. Here are several of the early components: :

    • Hang out with journalistsxi
    • Smooze editors
    • Write personal stories.

ENDNOTES

i Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 50.

ii Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 46.

iii Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 46.

iv Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 46.

v Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 47.

vi Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 40.

vii Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 46.

viii Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; pp. 46 – 47.

ix Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 47.

x Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 46.

xi Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 307.

xii Photograph of Steve Hannagan (January 1950); Image 50712327 Photo Lofman/Pix Inc. /Time Life Pictures/Getty Images.

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In this issue get a feel for Steve’s love for his job at the Indianapolis Motor Speedway. Steve’s love of the race is readily apparent by his pictures in the 1926 Chrysler shown below and with his close friend Ralph DePalma, 1915 Speedway Champion. As a side note, the winner of the Indianapolis 500 in 1926 was Louis Chevrolet, the namesake of today’s Chevrolet.

What is amusing about Steve’s affection for a race of supremely designed mechanical equipment is that he never exhibited any interest in machines. This deficiency is surprising because his father was a master metal worker.

Steve in the 1926 Chrysler Pace Cari

Steve and Ralph DePalmaii

Hannagan’s fondness for the Track was directly related to his abiding respect for Carl Fisher. Hannagan believed that “Fisher was the greatest and most-natural press agent who ever lived. He had a real public touch.” iii While Fisher brought his considerable marketing creativity to his enterprises, his stunt promotions did not translate into an understanding of how newspapers work. He needed a Steve Hannagan, who knew how to work with news editors, to devise publicity campaigns that attracted larger audiences.

Steve’s Writing Style

Steve wrote in a style typical of sports writing. He used snappy over-the-top leads and short descriptive sentences. Here is one example of Hannagan’s writing style from his lead to a headline story printed in the May 27, 1923 Sunday edition of the Pittsburg Press:

“The wings of Mercury, god of speed, are spread over Indianapolis. The hum of racing motors, the recounting of famous racing exploits, words of praise for heroes, heated speculative arguments – all tempered with speed are heard at every turn.”iv

Steve was a fast writer. His typewriter usually perched on a wooden box in the back seat of his car.v He used the internet of the day; teletype machines to quickly send his press releases to editors and radio stations across the country. He often reworked several smaller press releases into a full-length article for the slick weekly and monthly magazines of the day like the Saturday Evening Post, Colliers, and Redbook. His magazine articles added to his track income.

New Kid on the Block

Steve had a soft-spot for neophyte reporter assigned by their editors to write stories about an event which they did not understand. He took them under his wing, introduced them to the Track, and helped edit their stories. Later these neophytes showed their appreciation by sending his press releases to their editors.

For example, Stephen Richards was assigned to the Track by United Press.. Richards’ headed to Pop Myer’s office when Steve intercepted him. Steve accompanied Richards to the interview and sat to the side. Steve did not think that the kid’s interview was going well. He leaped in and told the kid;

“Instead of [Pop] answering all your questions, I’ll write your piece for you … with this lead: Looking toward the fastest speed in history, the Grand (sic) Prix of American racing ….”vi

The next time Richards saw Steve, he asked if his piece had been published. Richards said that it had. However, Mark Wright the Indianapolis Editor of United Press, “….did not like a lead to begin with a clause.”vii Steve was not happy to hear that UP edited his lead. Even though he eventually worked for UP, he never liked their interference with his work.

Pagoda

Drivers preparing for the Indianapolis 500 usually arrived early in May to practice. Steve sent press releases with biographical information about each driver. The daily parade of press releases kept the Speedway in front of the race fans, and drivers liked having their names bandied about in the press. This practice continued after Steve turned the Speedway account over to his associate Joe Copps.viii

On the day of the race, Steve worked the press box located in the five story wooden pagoda like a politician at a political convention 1 (picture shows the pagoda as Steve would have first seen it)ix It was one of the largest press boxes in the world.

Steve catered to the whims and needs of 300 members of the press attending the Race. Press photographers had access to a dark room on the ground floor so that pictures of dramatic events could be sent immediately to their news.

The Press box also held the latest technology – phone switchboards, telegraphic wires, and radio transmitter –that connected journalists, radio announcers, and telegrapher to their newsrooms and radio stations.. He greatly enjoyed playing the role of the server at the altar of racing.

Steve Just One of the Fellows at the Track

Steve’s affection for the track was steeped in tradition, gossip, and good will just like a small town where everyone knows everyone else. Steve wanted to be accepted as one of the boys among men who were often little more than big boys themselves.

The next story is hard to believe but is part of the lore of Steve Hannagan at the Speedway. In the early 1920s, he took several of Indy’s top race drivers for an old fashioned Irish dinner at his mother in Lafayette. The dinner covered the range of Irish cooking from A to Z – chicken livers, white chicken gravy and overcooked vegetables. However, Steve’s father almost ruined the meal when he fed the chicken livers for the cats.x

Aunt Jo was mortified by Uncle Billy’s foolishness and was only mollified by a good stiff glass of bourbon. After dinner, he escorted the drivers to a vaudeville show and cigars all around. Of course, Steve’s racing friends thought that the visit to his Mom was worth several days of ribbing of the boy wonder press agent.

Steve’s affection for each drivers was evident, when Steve walked the starting line-up on the day of the race and shook the hand of each driver. In some instances, the last cars were already moving when Steve reached out to touch the driver.xi He did his walk knowing that in some cases he would never see the driver live again.

Don’t Cross Steve

Even though Steve idolized the race drivers, he had little patience for prima donnas. One driver made the mistake of trying to get some cheap publicity by telling some of the press boys that he was going to install a beer box in his car. He became a press magnet, as the reporters tried to find out where and if he was going to actually put the box in the car. Steve fixed the driver by sending a letter to sports editors telling them of a hoax perpetrated by one of the drivers. He said rules would never permit the driver to have the box. This cooled the beer box hysteria and chastened the driver who was publicly identified as the perpetrator of a hoax.xii

Another driver encountered Hannagan’s treatment for dealing with prima donna’s. This driver whose name has been lost to history, asked Steve to stop mentioning him so much and to publicize the other drivers. It was not an altruistic move by the driver; it was a left handed way of telling Steve that he wanted more coverage. To the driver’s chagrin, Steve issued a press release saying this would be the last time that the driver’s name would be included in press releases at the request of the driver.xiii It is assumed that the driver was forced to mollify Steve to get back in his good graces.

 

FOOTNOTES

1 The pagoda was built by Carl Fisher in 1913; it burned in 1925, and a new, more elaborate pagoda was built.

END NOTES

i Photograph of Steve Hannagan in the 1926 Pace Car; (Retrieved June 28, 2011); copy from the Indianapolis Motor Speedway Photograph Library.

ii Photograph of Ralph DePalma (Retrieved July 1, 2012); http://www.flickr.com/photos/indianapolismotorspeedway/6384991439/.

iii Miami Heritage (September 10, 2008); (Retrieved August 18, 2012) (http://miamiheritage.org/2008/09/10/excerpts-from-carl-fisher-builder-of-miami-beach/.

iv Hannagan, Steve (May 27, 1923); “Hard Task before American Drivers”; Pittsburgh Pres (Retrieved 8/21/2012); http://news.google.com/newspapers?nid=1144&dat=19230525&id=iwMbAAAAIBAJ&sjid=1UkEAAAAIBAJ&pg=6258,3784137.

v Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 47.

vi Ross, Edward Ellis; Unpublished notebook; source: New York University Archives; p. 48.

vii Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 48.

viii Ross, Edward Ellis; Unpublished notebook; source: New York University Archives; p. 52.

x Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 51.

xi Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 52.

xii Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p, 52.

xiii Ross, Edward Ellis; Hannagan Research Document; source: New York University Archives; p. 52.

xiv Photograph of Steve Hannagan (January 1950); Image 50712327 Photo Lofman/Pix Inc. /Time Life Pictures/Getty Images.

 

Carl Fisher’s Montauk Resort

In 1925, Carl Fisher bought Montauk Peninsula on Long Island, New York. He believed that the 10,000 acre peninsula was the perfect location for a northern tourist haven like Miami Beach. Fisher’s wildcatting on Montauk appeared to be a brilliant strategy – by luck he was leaving Miami Beach before a devastating hurricane in 1926 stalled the real estate momentum there.

As with Miami Beach, Fisher worked full throttle to construct roads, commercial buildings, and homes between 1926 and 1932. He also brought in Steve Hannagan to help sell the ‘new Miami Beach.’ Fisher paid Hannagan with stock that he never traded and was a worthless investment when Hannagan’s estate tried to sell it.

As part of Fisher’s blueprint to make Montauk a destination for New York travelers, he planned a wharf at Montauk large enough to dock Trans-Atlantic steamers. The passengers would disembark at Montauk and then travel by rail to Manhattan. Docking at Montauk would save a day’s time in both directions. However, Fisher’s Trans-Atlantic scheme never came to fruition.i

Fisher’s main problem at Montauk was that his vision of a resort on Montauk Point fell victim to the Great Depression. Furthermore, Steve Hannagan and others told Fisher that Montauk had a very short tourist season compared to Miami Beach and that the weather was lousy the rest of the year. Even during the summer season wind and rain could bl0w onto the peninsula at gale force. Even the cold and snow of winter attracted few tourist because the upper echelons in New York City did not see Montauk as a winter resort If they wanted a winter resort, they traveled to Hannagan’s other project that opened in 1937 – Sun Valley.

Nevertheless, Fisher and Hannagan pushed the Montauk resort as the place to be in the summer. Their marketing slogan paraphrased their successful campaign for Miami Beach, “Miami in the winter; Montauk in the summer.”ii

In other words, Fisher and Hannagan were swimming upstream as they tried to promote Montauk as a resort for the rich and powerful on the far end of Long Island. Fisher’s resort went belly-up by the middle 1930s leaving him destitute. Fisher returned to Miami Beach to live off the good will of his friends. He died an impoverished alcoholic in Miami Beach in 939.

Now that Carl Fisher’s time has long passed, Montauk is becoming the place for the very rich to build magnificent homes and buy what is left of Fisher’s buildings as elegant locations for their lifestyle.

Advertisement for Montaukiii

The poster for the Montauk Resort leading the article covers the main points of the publicity campaign. Since the resort was a summer resort, the poster emphasized that it was “125 miles out in the Cool Atlantic,” a powerful message for New Yorkers seeking to beat the summer heat and humidity. There are also images of activities at or nearby to resort – deep-sea fishing, archery, golf, tennis, horse and coaches, sailing, and aviation. The images make it clear that Fisher’s Montauk is appealing to the wealthy and not the day tripper crowd.

Tour of Carl Fisher’s Montauk

Montauk Tower

The Montauk Tower opened in the 1920s and was originally known as the Carl Fisher Office Building. The building housed the headquarters for Fisher’s development project

Montauk Toweriv

Montauk Manor

In 1927, Carl Fisher opened the Manor as a ‘grand centerpiece’ to his Montauk Resort. It was filled with hotel rooms, outsized ballrooms, restaurants serving internationally acclaimed cuisine, tea room, and a broad Croquet lawn overlooked the peninsula.v

Montauk Manorvi

Carl Fisher’s Home in Montauk

Carl Fisher’s home was designed by the same architect Schultze & Weaver that designed the Pierre Hotel in New York City. The house has six bedrooms and a guest house. The floors in the main house are timbered with stone fireplaces, paneled ceilings, and arched windows.vii In 2015, Fisher’s home was put up for sale for $10.5 million.

 

Carl Fisher’s Home on Montauk Pointviii

Carl Fisher’s Montauk Homes for the Rich and Famous

Fisher dotted his resort plantation with great homes designed in the Great Gatsby style. These homes were not modest in size, detail, or cost. In the last several decades, celebrities and high finance investors have taken a shine to exclusivity of the Montauk peninsula.ix

The Harry Bruno Homex

The Ringwood Housexi

For More Information on Carl Fisher’s Montauk Resort go to the article in Dan’s Papers; Wild Developer Who Tried to Build a Resort at Montauk; the link to the article is: http://www.danspapers.com/2014/06/carl-fisher-wild-developer-who-tried-to-build-a-resort-at-montauk/

 

End Notes

i Rawson, Kenneth J.; “Carl Fisher’s Montauk Plans”; New York Times Blog (Retrieved March 30, 2018); https://www.nytimes.com/1985/02/03/nyregion/l-carl-fisher-s-montauk-plans-014626.html.

 ii Tuma, Debie; (August 11, 2002) Montauk Embraces Its Legacy; New York Times; (Retrieved March 30, 2018); https://www.nytimes.com/2002/08/11/nyregion/montauk-embraces-its-legacy.html.

 vii London, Carey; “Carl Fisher’s Home for Sale (Retrieved March 30, 2018); http://www.27east.com/news/article.cfm/Montauk/118584/Carl-Fishers-Former-Home-In-Montauk-Is-For-Sale,

 ix Eichblatt, Sam; Photograph of the Harry Bruno Home; “A Jazz Age Inventor’s Quest to Turn Montauk into Miami Beach” (Retrieved April 3, 2018); https://www.curbed.com/2015/4/22/9975144/a-jazz-age-inventors-quest-to-turn-montauk-into-miami-beach.

 x Eichblatt, Sam; Photograph of the Harry Bruno Home; “A Jazz Age Inventor’s Quest to Turn Montauk into Miami Beach” (Retrieved April 3, 2018); https://www.curbed.com/2015/4/22/9975144/a-jazz-age-inventors-quest-to-turn-montauk-into-miami-beach.

 xi Eichblatt, Sam; Photograph of the Harry Bruno Home; “A Jazz Age Inventor’s Quest to Turn Montauk into Miami Beach” (Retrieved April 3, 2018); https://www.curbed.com/2015/4/22/9975144/a-jazz-age-inventors-quest-to-turn-montauk-into-miami-beach.